Solo Exhibition: Note to Self
Anoushka Mirchandani
Dates: August 29 - September 26, 2020
Opening Reception: Saturday, August 29 | 11 AM - 7 PM
Virtual Artist Talk: September 9th | 5 PM
“I create figurative artworks to inspect and dismantle personal limitations, understand and visualize my own journey, and then I let the physicality drop away to pure emotion.” - Anoushka Mirchandani
Glass Rice is proud to present, Note to Self, a solo exhibition of new paintings by Anoushka Mirchandani and co-curated with our friend, Sydney Pfaff, of Legion. In the artist’s debut solo exhibition with the gallery, her latest body of work explores self-discovery through memory and personal narrative. Mirchandani creates a visual diary of abstract and figurative paintings to chronicle the multifaceted, complex and liberating journey from her native country of India to her new home in San Francisco.
In pairing her abstract and figurative work together, Mirchandani paints a cosmic picture of her emotional voyage as an immigrant woman living in modern day America; from the gestural figurative representations of shifting mental states down to the abstracted, microscopic moments of emotion imagined. This juxtaposition in style yet analogous in concept can be seen in the coupling of her figurative painting, This Must Be the Place, and her abstract painting, Collide Into You. In the first, the artist draws us into a couples’ intimate embrace, a shared private moment in warm shades of orange, burnt Sienna and red, their limbs intertwined and heads close as they hold one another in an infinite pool of water. In the other, similar abstract shapes and shades of color overlap with one another from various angles, coalescing in the middle of the canvas and reiterating feelings of warmth, belonging, and love. The contiguity of these artworks, their simplified organic shapes, captivating color palettes, luminous layers, and active line-work involuntarily evoke a plethora of familiar emotions.
Note to Self transports viewers to their own internal mindscapes, triggering estranged sensations of longing, touch, joy, reflection and vulnerability. Each painting marks a significant state of mind for the artist, synthesizing visual fragments from her memory bank to bring to the surface universal feelings that currently seem just out of reach. As we witness the transformation surrounding global and national upheaval and expressions of cumulative suppression both within ourselves and outside, we are prompted to reflect on our own experiences of transformation, and internal narratives of change in our quarantined abodes. On another level, the art perhaps is not a singular representation but a more pluralistic one. An embodiment of both relief and release. Mirchandani reminds her audience of our society pre-Covid19 through visual cues, allowing viewers to relive personal moments in their individual cultural contexts, and reconnect with their own entangled emotions and desires. As we continue to shelter in place, we are reminded of better days, gentle echoes of the past, and glimpses into the future with Mirchandani’s paintings.
Anoushka Mirchandani
Dates: August 29 - September 26, 2020
Opening Reception: Saturday, August 29 | 11 AM - 7 PM
Virtual Artist Talk: September 9th | 5 PM
“I create figurative artworks to inspect and dismantle personal limitations, understand and visualize my own journey, and then I let the physicality drop away to pure emotion.” - Anoushka Mirchandani
Glass Rice is proud to present, Note to Self, a solo exhibition of new paintings by Anoushka Mirchandani and co-curated with our friend, Sydney Pfaff, of Legion. In the artist’s debut solo exhibition with the gallery, her latest body of work explores self-discovery through memory and personal narrative. Mirchandani creates a visual diary of abstract and figurative paintings to chronicle the multifaceted, complex and liberating journey from her native country of India to her new home in San Francisco.
In pairing her abstract and figurative work together, Mirchandani paints a cosmic picture of her emotional voyage as an immigrant woman living in modern day America; from the gestural figurative representations of shifting mental states down to the abstracted, microscopic moments of emotion imagined. This juxtaposition in style yet analogous in concept can be seen in the coupling of her figurative painting, This Must Be the Place, and her abstract painting, Collide Into You. In the first, the artist draws us into a couples’ intimate embrace, a shared private moment in warm shades of orange, burnt Sienna and red, their limbs intertwined and heads close as they hold one another in an infinite pool of water. In the other, similar abstract shapes and shades of color overlap with one another from various angles, coalescing in the middle of the canvas and reiterating feelings of warmth, belonging, and love. The contiguity of these artworks, their simplified organic shapes, captivating color palettes, luminous layers, and active line-work involuntarily evoke a plethora of familiar emotions.
Note to Self transports viewers to their own internal mindscapes, triggering estranged sensations of longing, touch, joy, reflection and vulnerability. Each painting marks a significant state of mind for the artist, synthesizing visual fragments from her memory bank to bring to the surface universal feelings that currently seem just out of reach. As we witness the transformation surrounding global and national upheaval and expressions of cumulative suppression both within ourselves and outside, we are prompted to reflect on our own experiences of transformation, and internal narratives of change in our quarantined abodes. On another level, the art perhaps is not a singular representation but a more pluralistic one. An embodiment of both relief and release. Mirchandani reminds her audience of our society pre-Covid19 through visual cues, allowing viewers to relive personal moments in their individual cultural contexts, and reconnect with their own entangled emotions and desires. As we continue to shelter in place, we are reminded of better days, gentle echoes of the past, and glimpses into the future with Mirchandani’s paintings.
Inner Dialogues, 2020
Oil and Oil Pastel on Canvas 18 x 24 in. SOLD 
After Hours, 2020
Oil and Oil Pastel on Canvas 48 x 60 in. * Acquired by Significant Private Collection, New York 
A Closer Look, 2020
Oil and Oil Pastel on Canvas 24 x 30 in. SOLD 
Adrift, 2020
Oil and Oil Pastel on Canvas 18 x 24 in. * In the collection of the artist 
Collide Into You, 2020
Acrylic and Sage Leaf Imprints on Canvas 30 x 36 in. SOLD 
Out of Body, 2020
Acrylic on Canvas 30 x 30 in. SOLD 
All My Friends Are DJs, 2020
Oil and Oil Pastel on Canvas 24 x 30 in. * Inquire at info@glassrice.com 
Soft Landing PT. II, 2020
Oil and Oil Pastel on Canvas 24 x 30 in. * Acquired by Private Collection, Naples, Florida |
Have You Seen My Cat? (Comfort Zone), 2020
Acrylic and Sage Leaf Imprints on Canvas 32 x 40 in. SOLD 
This Must Be The Place, 2020
Oil and Oil Pastel on Canvas 24 x 36 in. SOLD 
Block Party, 2020
Acrylic and Lavender Imprint on Canvas 30 x 40 in. * Inquire at info@glassrice.com 
Tuning In, 2020
Oil and Oil Pastel on Canvas 24 x 30 in. * Acquired by Private Collection, San Francisco, California 
Almost Human, 2020
Acrylic and Sage Leaf Imprints on Canvas 30 x 36 in. * Acquired by Private Collection, Mumbai, India 
Intimacy, 2020
Acrylic and Sage Leaf Imprints on Canvas 28 x 32 in. SOLD 
I Think I Met Somebody, 2020
Acrylic and Sage Leaf Imprints on Canvas 24 x 30 in. SOLD 
Landline, 2020
Oil and Oil Pastel on Canvas 20 x 24 in. SOLD |
I’ve Been Here This Whole Time (In My Head), 2020
Oil and Oil Pastel on Canvas 18 x 24 in. SOLD 
We Belong to the Summer, 2020
Oil and Oil Pastel on Canvas 30 x 40 in. SOLD 
Moment to Myself, 2020
Oil and Oil Pastel on Canvas 30 x 40 in. SOLD 
The Verge, 2020
Oil and Oil Pastel on Canvas 36 x 48 in. SOLD 
Takes Two, 2020
Oil and Oil Pastel on Canvas 36 x 36 in. SOLD 
Train to Anywhere, 2020
Acrylic on Canvas 30 x 40 in. SOLD 
Soft Landing PT. I, 2020
Oil and Oil Pastel on Canvas 24 x 30 in. * Acquired by Private Collection, Patsy Bulchandani, Mumbai, India |